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	<title>Comments on: Coupling Capacitors and Vintagicity</title>
	<atom:link href="http://blog.monkbam.com/2008/10/17/coupling-capacitors-and-vintagicity/feed/" rel="self" type="application/rss+xml" />
	<link>http://blog.monkbam.com/2008/10/17/coupling-capacitors-and-vintagicity/</link>
	<description>Pro audio marketing, guitar amps and better sound.</description>
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	<item>
		<title>By: monkbam</title>
		<link>http://blog.monkbam.com/2008/10/17/coupling-capacitors-and-vintagicity/#comment-105</link>
		<dc:creator><![CDATA[monkbam]]></dc:creator>
		<pubDate>Tue, 23 Mar 2010 11:38:56 +0000</pubDate>
		<guid isPermaLink="false">http://monkbam.wordpress.com/?p=3#comment-105</guid>
		<description><![CDATA[Hi Andy,

I haven&#039;t used them yet. Have you? I&#039;d love to get some other perspectives here!

best,
ian]]></description>
		<content:encoded><![CDATA[<p>Hi Andy,</p>
<p>I haven&#8217;t used them yet. Have you? I&#8217;d love to get some other perspectives here!</p>
<p>best,<br />
ian</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: andy</title>
		<link>http://blog.monkbam.com/2008/10/17/coupling-capacitors-and-vintagicity/#comment-103</link>
		<dc:creator><![CDATA[andy]]></dc:creator>
		<pubDate>Sun, 21 Mar 2010 01:34:42 +0000</pubDate>
		<guid isPermaLink="false">http://monkbam.wordpress.com/?p=3#comment-103</guid>
		<description><![CDATA[have you used blue sozo caps]]></description>
		<content:encoded><![CDATA[<p>have you used blue sozo caps</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: RP</title>
		<link>http://blog.monkbam.com/2008/10/17/coupling-capacitors-and-vintagicity/#comment-47</link>
		<dc:creator><![CDATA[RP]]></dc:creator>
		<pubDate>Thu, 05 Nov 2009 03:22:04 +0000</pubDate>
		<guid isPermaLink="false">http://monkbam.wordpress.com/?p=3#comment-47</guid>
		<description><![CDATA[Hey Ian,

I&#039;ve read the Harmony-Central reviews for the Jupiter Tone caps (FWIW) and everyone there is gushing. At this point in time these caps are the leaders by a head (maybe a neck).  I&#039;ll investigate further and let you know how things shake down. Thanks a heap!

RP]]></description>
		<content:encoded><![CDATA[<p>Hey Ian,</p>
<p>I&#8217;ve read the Harmony-Central reviews for the Jupiter Tone caps (FWIW) and everyone there is gushing. At this point in time these caps are the leaders by a head (maybe a neck).  I&#8217;ll investigate further and let you know how things shake down. Thanks a heap!</p>
<p>RP</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: monkbam</title>
		<link>http://blog.monkbam.com/2008/10/17/coupling-capacitors-and-vintagicity/#comment-46</link>
		<dc:creator><![CDATA[monkbam]]></dc:creator>
		<pubDate>Wed, 04 Nov 2009 22:43:15 +0000</pubDate>
		<guid isPermaLink="false">http://monkbam.wordpress.com/?p=3#comment-46</guid>
		<description><![CDATA[Sounds like this is going to be one cool amp when you&#039;re done! I&#039;ve definitely spent some time since I wrote the articles listening to a lot of caps in guitar amps. There&#039;s obviously a lot more to the sound of an amp than the caps, however, you can tell the difference by swapping out caps, no questions asked. I came to love the &lt;a href=&quot;http://www.mojotone.com/product-category/Mojo-Dijon&quot; rel=&quot;nofollow&quot;&gt;MojoTone.com Dijon caps&lt;/a&gt; for Fender amps, especially the newer ones. They tend to flatten out the extreme high end  (ice-pickiness at times) of these amps. I still love the &lt;a href=&quot;http://www.specialtyguitars.com/p/07-20210.html&quot; rel=&quot;nofollow&quot;&gt;Jupiter Tone caps&lt;/a&gt; that I wrote about earlier - I think that they are the best, but they&#039;re more expensive. If money is not a concern (seems it&#039;s not!), I&#039;d go with these. 

The Orange drops sound &quot;newer&quot; and work very well with amps like a Krank or Mesa with multiple preamp gain stages. I don&#039;t use the Mallorys anymore, but they&#039;re fine too. I&#039;d have to say that the Mojo Dijon ones sound better than the Mallorys, and the construction appears to be better as well. 

Send a picture when you&#039;re done with it and I&#039;ll post it here with your comments!

ian

edited: 

Also, I forgot to add that you should try out the JJ preamp tubes with the Super Sonic, but be forewarned - they&#039;re higher gain than the Sovteks that came with it and the circuit is built for those Sovteks. With the best of intentions, I couldn&#039;t even get vintage RCA 12ax7s to sound completely right in that circuit. So, definitely try out new tubes and experiement, but don&#039;t be surprised if you hear noises, crackles, and other unwanted things once you replace them. The solution is to go back to the &quot;boring&quot; old Sovteks. They actually sound quite good in that amp!
]]></description>
		<content:encoded><![CDATA[<p>Sounds like this is going to be one cool amp when you&#8217;re done! I&#8217;ve definitely spent some time since I wrote the articles listening to a lot of caps in guitar amps. There&#8217;s obviously a lot more to the sound of an amp than the caps, however, you can tell the difference by swapping out caps, no questions asked. I came to love the <a href="http://www.mojotone.com/product-category/Mojo-Dijon" rel="nofollow">MojoTone.com Dijon caps</a> for Fender amps, especially the newer ones. They tend to flatten out the extreme high end  (ice-pickiness at times) of these amps. I still love the <a href="http://www.specialtyguitars.com/p/07-20210.html" rel="nofollow">Jupiter Tone caps</a> that I wrote about earlier &#8211; I think that they are the best, but they&#8217;re more expensive. If money is not a concern (seems it&#8217;s not!), I&#8217;d go with these. </p>
<p>The Orange drops sound &#8220;newer&#8221; and work very well with amps like a Krank or Mesa with multiple preamp gain stages. I don&#8217;t use the Mallorys anymore, but they&#8217;re fine too. I&#8217;d have to say that the Mojo Dijon ones sound better than the Mallorys, and the construction appears to be better as well. </p>
<p>Send a picture when you&#8217;re done with it and I&#8217;ll post it here with your comments!</p>
<p>ian</p>
<p>edited: </p>
<p>Also, I forgot to add that you should try out the JJ preamp tubes with the Super Sonic, but be forewarned &#8211; they&#8217;re higher gain than the Sovteks that came with it and the circuit is built for those Sovteks. With the best of intentions, I couldn&#8217;t even get vintage RCA 12ax7s to sound completely right in that circuit. So, definitely try out new tubes and experiement, but don&#8217;t be surprised if you hear noises, crackles, and other unwanted things once you replace them. The solution is to go back to the &#8220;boring&#8221; old Sovteks. They actually sound quite good in that amp!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: RP</title>
		<link>http://blog.monkbam.com/2008/10/17/coupling-capacitors-and-vintagicity/#comment-45</link>
		<dc:creator><![CDATA[RP]]></dc:creator>
		<pubDate>Wed, 04 Nov 2009 20:55:17 +0000</pubDate>
		<guid isPermaLink="false">http://monkbam.wordpress.com/?p=3#comment-45</guid>
		<description><![CDATA[I am having my Super-Sonic modded and as of this writing the tech will be using Orange Drops (not exactly sure in which positions).  I had spoken to another tech who swore by Mallory 150s but had never done a Super-Sonic (neither has the tech performing this mod).  I would be extremely interested in what you ended up using and why.  Other changes to be implemented include:  Mercury Magnetics power and output transformers; MMs choke; and swapping the #1 position 12AX7(possibly with a T-12AX7-GOLD-JJ or a T-12AX7-S-JJ.  As soon as the transformers come in he will begin the mods--making time of the essence.  Any help would be greatly appreciated.  Thanks!]]></description>
		<content:encoded><![CDATA[<p>I am having my Super-Sonic modded and as of this writing the tech will be using Orange Drops (not exactly sure in which positions).  I had spoken to another tech who swore by Mallory 150s but had never done a Super-Sonic (neither has the tech performing this mod).  I would be extremely interested in what you ended up using and why.  Other changes to be implemented include:  Mercury Magnetics power and output transformers; MMs choke; and swapping the #1 position 12AX7(possibly with a T-12AX7-GOLD-JJ or a T-12AX7-S-JJ.  As soon as the transformers come in he will begin the mods&#8211;making time of the essence.  Any help would be greatly appreciated.  Thanks!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: monkbam</title>
		<link>http://blog.monkbam.com/2008/10/17/coupling-capacitors-and-vintagicity/#comment-32</link>
		<dc:creator><![CDATA[monkbam]]></dc:creator>
		<pubDate>Wed, 15 Jul 2009 17:37:49 +0000</pubDate>
		<guid isPermaLink="false">http://monkbam.wordpress.com/?p=3#comment-32</guid>
		<description><![CDATA[Hey Mick! 

I don&#039;t know too much about that transformer, but here&#039;s some info that will lead you to the answer:

Schematic for the Bassman 135:
&lt;a href=&quot;http://www.ampwares.com/amp.asp?id=29&quot; rel=&quot;nofollow&quot;&gt;http://www.ampwares.com/amp.asp?id=29&lt;/a&gt;

New Replacement for the Bassman 135 transformer:
&lt;a href=&quot;http://www.tubeampdoctor.com/product_info.php?cPath=27_46&amp;products_id=112&amp;osCsid=6e76e0692a985f7c46e297d815667ef7&quot; rel=&quot;nofollow&quot;&gt;

Post back here if you find some good info - thanks!

ian]]></description>
		<content:encoded><![CDATA[<p>Hey Mick! </p>
<p>I don&#8217;t know too much about that transformer, but here&#8217;s some info that will lead you to the answer:</p>
<p>Schematic for the Bassman 135:<br />
<a href="http://www.ampwares.com/amp.asp?id=29" rel="nofollow">http://www.ampwares.com/amp.asp?id=29</a></p>
<p>New Replacement for the Bassman 135 transformer:<br />
<a href="http://www.tubeampdoctor.com/product_info.php?cPath=27_46&amp;products_id=112&amp;osCsid=6e76e0692a985f7c46e297d815667ef7" rel="nofollow"></p>
<p>Post back here if you find some good info &#8211; thanks!</p>
<p>ian</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: mick</title>
		<link>http://blog.monkbam.com/2008/10/17/coupling-capacitors-and-vintagicity/#comment-31</link>
		<dc:creator><![CDATA[mick]]></dc:creator>
		<pubDate>Wed, 15 Jul 2009 09:57:17 +0000</pubDate>
		<guid isPermaLink="false">http://monkbam.wordpress.com/?p=3#comment-31</guid>
		<description><![CDATA[hi, nice text! just wondering,would u know the power tranny output voltages for a bassman 135? mine was blown up by a drunken fool who switched the voltage selector !! i know theres a 6.3v winding for the valve heaters, but what are the others? thanks for any help, mick (australia)]]></description>
		<content:encoded><![CDATA[<p>hi, nice text! just wondering,would u know the power tranny output voltages for a bassman 135? mine was blown up by a drunken fool who switched the voltage selector !! i know theres a 6.3v winding for the valve heaters, but what are the others? thanks for any help, mick (australia)</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: monkbam</title>
		<link>http://blog.monkbam.com/2008/10/17/coupling-capacitors-and-vintagicity/#comment-11</link>
		<dc:creator><![CDATA[monkbam]]></dc:creator>
		<pubDate>Wed, 07 Jan 2009 14:10:55 +0000</pubDate>
		<guid isPermaLink="false">http://monkbam.wordpress.com/?p=3#comment-11</guid>
		<description><![CDATA[Hi Mike,

I&#039;m not familiar with that particular circuit, but unless there&#039;s a possible short, or the harness is visibly deteriorated, it may be better to stick with the original. Or not, but here&#039;s why: At least on the Fender stuff, the build quality was excellent back then. There&#039;s always the argument about safety vs. originality and one common case is whether to replace the original two prong power cord on a Fender Blackface amp with a three prong. My feelings have always been that if the amp is going to sit in a display case, keep things original. If you&#039;re going to use it, replace the cord. I&#039;ve been shocked too many times by badly grounded equipment, so when safety is an issue (and safety is always an issue, if the amp is to be used!), I always opt to make sure that things are wired and grounded properly. Thanks!]]></description>
		<content:encoded><![CDATA[<p>Hi Mike,</p>
<p>I&#8217;m not familiar with that particular circuit, but unless there&#8217;s a possible short, or the harness is visibly deteriorated, it may be better to stick with the original. Or not, but here&#8217;s why: At least on the Fender stuff, the build quality was excellent back then. There&#8217;s always the argument about safety vs. originality and one common case is whether to replace the original two prong power cord on a Fender Blackface amp with a three prong. My feelings have always been that if the amp is going to sit in a display case, keep things original. If you&#8217;re going to use it, replace the cord. I&#8217;ve been shocked too many times by badly grounded equipment, so when safety is an issue (and safety is always an issue, if the amp is to be used!), I always opt to make sure that things are wired and grounded properly. Thanks!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: MIKE</title>
		<link>http://blog.monkbam.com/2008/10/17/coupling-capacitors-and-vintagicity/#comment-9</link>
		<dc:creator><![CDATA[MIKE]]></dc:creator>
		<pubDate>Sat, 03 Jan 2009 23:42:41 +0000</pubDate>
		<guid isPermaLink="false">http://monkbam.wordpress.com/?p=3#comment-9</guid>
		<description><![CDATA[LIKED YOUR ARTICLE ON THE CAPS AM IN THE PROCESS OF REDOING 1950 RAULAND PA [FOR HARP]
ANY INPUT ON WHETHER OR NOT TO REPLACE WIRERING HARNESS....CHEERS MIKE]]></description>
		<content:encoded><![CDATA[<p>LIKED YOUR ARTICLE ON THE CAPS AM IN THE PROCESS OF REDOING 1950 RAULAND PA [FOR HARP]<br />
ANY INPUT ON WHETHER OR NOT TO REPLACE WIRERING HARNESS&#8230;.CHEERS MIKE</p>
]]></content:encoded>
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